Languages —

Tuesday, November 26, 2024

More

    Review of “Escape from Mogadishu” — Koreans flee Somalia’s instability.

    Share This Post

    This South Korean political thriller depicts the incredible true story of North and South Korean diplomats fleeing Somalia in the early 1990s as all hell breaks loose. It was South Korea’s Oscar entry for best international film and has that highly polished, top-quality solid-weight vibe (with overtones of Ben Affleck’s best picture-winning Argo). The third act, which culminates in an action movie vehicle pursuit through war-zone turmoil, is what makes it worth the price of a download.

    The year is 1991. Diplomats from North and South Korea have been competing in Mogadishu for Somalia’s vote on whether or not South Korea should join the United Nations. Attempts by South Korean ambassador Han (Kim Yoon-seok) to court Somali dictator Mohamed Siad Barre have been consistently thwarted by his North Korean counterpart, wily veteran Rim, in the embassy (Huh Joon-ho). Then Barre is deposed, the capital devolves into chaos, and the North Koreans arrive at the South Koreans’ doorstep seeking refuge. As they go through the streets of the capital, an incident validates what I’ve heard from war reporters: nothing is scarier than a tiny child with a loaded gun.

    At the South Korean embassy, there’s some unexpected humour, such as the awkward quiet around the dinner table as North Koreans anxiously play with their chopsticks. The North Koreans are afraid of being poisoned by their opponents, according to South Korean envoy Han, who clicks what’s going on and exchanges plates.

    This is a fine, intellectual, well-acted picture, though a little uninspired until the final act, which packs a powerful punch: personnel from both embassies traveling in a convoy of automobiles through a terrifyingly believable battle zone, with firearms firing and Molotov cocktails flying. It’s a shame, too, that there isn’t more interest in the Somalian characters, who are one-dimensional to a man (and this is a film about males).

    … we have a tiny request. Every day, millions of people come to the Guardian for open, independent, and high-quality news, and we now have readers in 180 countries.

    We think that everyone has a right to knowledge based on science and truth, as well as analysis based on authority and honesty. That’s why we took a different approach: we made the decision to make our reporting accessible to all readers, regardless of where they reside or how much they can afford to pay. More people will be better informed, united, and inspired to take meaningful action as a result of this.

    A truth-seeking global news organization like the Guardian is critical in these frightening times. Because we don’t have any shareholders or a rich owner, our journalism is free of commercial and political influence, which sets us apart. Our independence empowers us to investigate, challenge, and expose people in power at a time when it has never been more critical. It only takes a minute to support the Guardian for as little as $1. Please consider donating a certain amount each month if you are able. Thank you very much.

    Share This Post