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Renowned Somali actor Yusuf Abdullahi Muse, popularly known by his stage name Yusuf Ceegaag, has announced his candidacy for a seat in the Somaliland Parliament, marking a unique transition from the world of entertainment to politics. Ceegaag, who gained fame for his compelling portrayals of societal issues on screen, is now seeking to channel his influence into real-world change.
Ceegaag’s decision to run for office comes years after he played the role of a fictional legislator in a popular Somali television drama. The irony of his candidacy is not lost on his fans, many of whom recall his portrayal of a conniving lawmaker who denied his sisters their rightful inheritance—a character that sparked widespread public reactions. “People came up to me genuinely upset,” Ceegaag shared in a recent interview. “They asked why I wouldn’t give the girl her rights. That’s when you know the role hits close to home.”
While some have joked that Ceegaag might still be “stuck in character,” the actor is serious about his political ambitions. After decades in entertainment, he believes it is time to use his public voice to advocate for change. “I’ve spent my career reflecting the struggles of Somali society through drama. Now, I want to address those struggles directly,” Ceegaag stated.
Born and raised in Somaliland, Ceegaag’s journey began with a school play that ignited his passion for storytelling. As a teenager, he was captivated by vintage Somali dramas and dreamed of a career that could give voice to the voiceless. His performances, widely aired on Somali television, became staples of Ramadan viewing, with millions tuning in to watch him tackle issues such as gender inequality, broken inheritance systems, and government dysfunction.
Ceegaag’s candidacy is part of a broader trend of performers stepping into political roles. From Ronald Reagan’s transition from Hollywood to the White House to Volodymyr Zelensky’s rise from playing a fictional president to becoming Ukraine’s real one, the intersection of art and politics has produced notable leaders. Ceegaag, however, is not merely following a trend; he is testing whether the empathy he has earned through fiction can translate into effective governance.
The actor’s announcement has sparked mixed reactions in Somaliland. Supporters view his candidacy as a refreshing change, citing his ability to connect with ordinary citizens through his work. Critics, however, question whether his experience in entertainment equips him for the complexities of political leadership. Ceegaag remains undeterred, emphasizing his commitment to addressing the issues that matter most to his constituents.
Somaliland, a self-declared independent state in northern Somalia, has long grappled with challenges such as unemployment, corruption, and limited access to education and healthcare. Ceegaag’s campaign promises to focus on these issues, leveraging his platform to advocate for policies that promote social justice and economic development.
As the election approaches, Ceegaag’s candidacy is expected to draw significant attention, both locally and internationally. His transition from screen to parliament serves as a reminder of the power of storytelling in shaping public discourse and inspiring action. Whether he succeeds in his bid for office remains to be seen, but his journey has already sparked important conversations about the role of artists in politics.